Using the original 1964 mono master, new lacquers have been cut all-analog by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new 4-panel insert with essay by American Beatles historian, Bruce Spizer. 180-gram audiophile pressing.

Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape.

• Audiophile 180-gram vinyl
• All-analog mastering
• Mono
• Lacquers cut from the original 1964 mono master by Kevin Reeves at East Iris Studios in Nashville
• Faithfully replicated artwork
• New 4-panel insert with essay by Bruce Spizer