Recorded in the wee hours of Good Friday in 1960, this impromptu Pacific Jazz session captured the easygoing alchemy of The Modest Jazz Trio featuring Jim Hall on guitar, Red Mitchell on piano, and Red Kelly on bass. It would be the trio's sole album, a sublimely swinging set highlighted by the title track. This stereo Blue Note Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.