Ashra – New Age Of Earth
- Description
- Release details
- Tracklist
-
Ashra’s New Age of Earth is one of those records that feels less like a set of tracks and more like a state of mind. Manuel Göttsching shifts away from the more overtly psychedelic Ash Ra Tempel sound into something gentler, more spacious and more inward, using synths, drum machine pulse and restrained guitar to create a warm, drifting atmosphere that still feels quietly futuristic. It was first released in 1976, with later releases under the Ashra name, and it has since been widely recognized as a key ambient / kosmische record.
What makes it so enduring is the balance between motion and stillness. The album has enough rhythm and sequencer movement to keep it alive, but it never rushes; instead it unfolds with patience, especially on the side-long “Nightdust,” where the textures and guitar lines feel both intimate and cosmic. It’s an album that rewards low-volume listening, deep listening, and repeat listening equally well, which is a big reason it still turns up in discussions of ambient essentials decades later.
Reviews
“Backgrounding his guitar work and focusing on synthesizers, Göttsching crafts a new kind of space music, one that feels less about traveling through the cosmos and more about what it might feel like to contemplate existence while meditating on another planet.” Pitchfork
“I could use a lot of annoying music critic references but essentially this album is like getting a dawn train across the cosmos as your mind is bathed in the glow of a thousand sunrises.” Music Feeds (Dan Kelly)
“Its three tracks are entrancing and enchanting, focussed and arranged around lush synthesizer leads and chords, a pulsating sequencer energy, and then the most loyal, dreamy electric guitar solo...” STAR’S END (Chuck van Zyl)
“This name change is why the most widely available version of Göttsching’s ambient opus features completely different cover art: a light-bathed building that reflects the new dawn within its widescreen melodies, clean Gibson chords, and lean-yet-lush synth lines.” self | centered (getcentered.io)
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A1 Sunrain
A2 Ocean Of Tenderness
A3 Deep Distance
B Nightdust
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Ashra – New Age Of Earth
Ashra – New Age Of Earth
- Description
- Release details
- Tracklist
-
Ashra’s New Age of Earth is one of those records that feels less like a set of tracks and more like a state of mind. Manuel Göttsching shifts away from the more overtly psychedelic Ash Ra Tempel sound into something gentler, more spacious and more inward, using synths, drum machine pulse and restrained guitar to create a warm, drifting atmosphere that still feels quietly futuristic. It was first released in 1976, with later releases under the Ashra name, and it has since been widely recognized as a key ambient / kosmische record.
What makes it so enduring is the balance between motion and stillness. The album has enough rhythm and sequencer movement to keep it alive, but it never rushes; instead it unfolds with patience, especially on the side-long “Nightdust,” where the textures and guitar lines feel both intimate and cosmic. It’s an album that rewards low-volume listening, deep listening, and repeat listening equally well, which is a big reason it still turns up in discussions of ambient essentials decades later.
Reviews
“Backgrounding his guitar work and focusing on synthesizers, Göttsching crafts a new kind of space music, one that feels less about traveling through the cosmos and more about what it might feel like to contemplate existence while meditating on another planet.” Pitchfork
“I could use a lot of annoying music critic references but essentially this album is like getting a dawn train across the cosmos as your mind is bathed in the glow of a thousand sunrises.” Music Feeds (Dan Kelly)
“Its three tracks are entrancing and enchanting, focussed and arranged around lush synthesizer leads and chords, a pulsating sequencer energy, and then the most loyal, dreamy electric guitar solo...” STAR’S END (Chuck van Zyl)
“This name change is why the most widely available version of Göttsching’s ambient opus features completely different cover art: a light-bathed building that reflects the new dawn within its widescreen melodies, clean Gibson chords, and lean-yet-lush synth lines.” self | centered (getcentered.io)
-
A1 Sunrain
A2 Ocean Of Tenderness
A3 Deep Distance
B Nightdust
Original: $38.82
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$11.65Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
- Description
- Release details
- Tracklist
-
Ashra’s New Age of Earth is one of those records that feels less like a set of tracks and more like a state of mind. Manuel Göttsching shifts away from the more overtly psychedelic Ash Ra Tempel sound into something gentler, more spacious and more inward, using synths, drum machine pulse and restrained guitar to create a warm, drifting atmosphere that still feels quietly futuristic. It was first released in 1976, with later releases under the Ashra name, and it has since been widely recognized as a key ambient / kosmische record.
What makes it so enduring is the balance between motion and stillness. The album has enough rhythm and sequencer movement to keep it alive, but it never rushes; instead it unfolds with patience, especially on the side-long “Nightdust,” where the textures and guitar lines feel both intimate and cosmic. It’s an album that rewards low-volume listening, deep listening, and repeat listening equally well, which is a big reason it still turns up in discussions of ambient essentials decades later.
Reviews
“Backgrounding his guitar work and focusing on synthesizers, Göttsching crafts a new kind of space music, one that feels less about traveling through the cosmos and more about what it might feel like to contemplate existence while meditating on another planet.” Pitchfork
“I could use a lot of annoying music critic references but essentially this album is like getting a dawn train across the cosmos as your mind is bathed in the glow of a thousand sunrises.” Music Feeds (Dan Kelly)
“Its three tracks are entrancing and enchanting, focussed and arranged around lush synthesizer leads and chords, a pulsating sequencer energy, and then the most loyal, dreamy electric guitar solo...” STAR’S END (Chuck van Zyl)
“This name change is why the most widely available version of Göttsching’s ambient opus features completely different cover art: a light-bathed building that reflects the new dawn within its widescreen melodies, clean Gibson chords, and lean-yet-lush synth lines.” self | centered (getcentered.io)
-
A1 Sunrain
A2 Ocean Of Tenderness
A3 Deep Distance
B Nightdust










